"The scarcity of posts for the last couple of days is due to my work on a documentary that is shooting around the U.S. for a few weeks in May. Produced by John Lundberg and my olde pal Mark Pilkington, the film promises to be groundbreaking in the most literal sense of the metaphor."
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Mirage Men will examine the history of intelligence community involvement in the UFO subject. While many other features have approached this important issue in piecemeal fashion, Pilkington and Lundberg decided last year to meet the problem head-on and put various players on the spot to possibly clear up what was (and is) being done to UFO researchers under the umbrella of national defense.
The producers have managed to secure interviews with Ufological and intelligence personalities from all over the country, including Curtis Peebles, Victor Martinez, Bill Ryan, Tracy Torme, Robert Emenegger, Gabe Valdez, and even Richard Doty. (I believe that this is Doty’s one and only appearance ever on camera.) One other intelligence player (who has been around the disinfo game for over 30 years) will most likely appear only in voiceover, with his speech disguised to protect his identity, at his own request. Perhaps we’ll hear some new revelations stretching back to the Paul Bennewitz days and offering new insights to that dramatic period when intel agents skulked about in the shadows, feeding outlandish stories to gullible researchers eager for the newest revelation.
Just as the producers were gearing up for production last April, the SERPO story was breaking out and they were just in time to meet some of the players and interested parties at Bob Brown’s annual Laughlin UFO conclave. We sat down for beers and stories with Richard Doty, while other less well-known names were rumored to be sneaking about the premises, monitoring the reaction to the newest drama. The Mirage Men producers shut me in a room with SERPO webmaster Bill Ryan and a video camera and we debated the merits of the story for almost two hours. I’ll be surprised if any of it makes the final cut.
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